Relaxed tailored look
A standing study with a single hand tucked into a pocket and the rest of the body held asymmetric.
One hand in a pocket is the asymmetric version of the withdrawn-hands pose. That side of the body compresses, the shoulder drops, and the hip moves slightly toward the pocket hand, while the other arm stays free to swing or rest. The result is a natural one-sided lean that tailors love.
The pose is a good example of how a single small action organizes a full-length figure. Because the pocket hand anchors one side, the opposite side is free to describe the long line from shoulder to foot, which is where the costume information lives: the fall of a jacket, the break of a trouser, the line of a shoe.
Watch the free shoulder, which usually rises slightly as the pocket side drops; drawings that keep both shoulders level lose the whole asymmetry. The pocket arm should not look amputated, so keep the elbow visible and the forearm entering the pocket at a believable angle. If the figure is walking, the pocket hand stays fixed relative to the hip while the shoulder rotates over it, which makes a nice tension in the torso.
Drawing notes
- Drop the pocket-side shoulder and let the free shoulder rise a little.
- Keep the pocket elbow visible instead of hiding the arm entirely.
- Hold the pocket hand fixed to the hip if the torso rotates.
Pose prompt
The description used to generate this study. Copy it into your own workflow, or hand it to the studio with your photo.
Adult woman standing with one hand in a pocket, full body, fashion photography.
Working notes
- A standing study with a single hand tucked into a pocket and the rest of the body held asymmetric.
- The free side carries the costume line; keep it long and unobstructed.
Put this pose on your own reference
Take this study to the studio and generate a new image in the same pose, or browse the rest of the fashion studies first.
